Hélène Dautry
First price of the CNSM of Paris, pupil of M. Gendron, J. Hubeau and J. Mouillère Helene Dautry played regularly in the largest rooms of Europe, United States and Japan. Soloist of the chamber orchestra Jean-François Paillard between 1987 and 1999, Helene Dautry is also prize winner of the international academy Mr. Ravel. She was invited to play as a soloist under the direction of J-P. Wallez, F Chaslin, P. Fournillier, P. Csaba... She played with artists such as C.Collard, G Jarry, A.Jodry, G Moutier, E Balmas, A.Flammer... Member of Geister Trio and Trio Léonore, H. Dautry occurs regularly in various formations of chamber music. Helene Dautry played in the festivals of Castling-in Anthéron, the Tiny South of Brussels, the Young Soloists in Périgord, Gramont, the Arcs, Rouffach, Saint-Pétersbourg, Frankfurt, Milan, and Nancyphonies... She was invited to several radio broadcasts: Young Soloists, Tempo Primo, Six and half, Les Démons de Midi, Musicomania. Helene Dautry teaches at the Conservatoire National de Région de Lille and at the RCM in London. Currently, she is a soloist of the orchestra of Besancon under the direction of Peter Csaba and is activities of her time between concerts and teaching. Within the framework of the homage paid to Maurice Gendron in 2002, she was invited to give a master class to the CNSM of Paris. Helene Dautry recorded the sonatas of Prokoviev, Debussy, and the "Fantasiestücke" of R. Schumann with Mila Goldwasser.

Matthieu Lejeune
Après ses études à l'E.N.M. d'Aulnay-sous-Bois, Matthieu Lejeune est admis au Conservatoire National Supérieur de musique de Paris.. Il y obtient, à l’unanimité, son Premier Prix de violoncelle et de Musique de chambre. Il suit dans cet établissement deux cycles de Perfectionnement : en violoncelle avec Roland Pidoux et en musique de chambre avec Alain Meunier. Lauréat de la Fondation Sasakawa, il étudie deux années auprès de Frans Helmerson, et se voit décerner le diplôme de Konzertexam à la Hochschule de Cologne. Sélectionné pour le Verbier Festival & Academy, il bénéficie des conseils de Lynn Harrell, et est lauréat du concours organisé par cette académie.
Lauréat de nombreux concours internationaux tels Bucarest, Florence, Douai, Pörtschach, Guérande. Il se produit régulièrement en tant que soliste (concertos de Dvorak, Chostakovitch, Schumann, Haydn, Saint-Saëns, Boccherini), mais aussi en sonate (Duo Le Cann-Lejeune), en trio (Trio Una Corda) et dans d’autres formations prestigieuses (Ensemble Intercontemporain, Ensemble Multilatérale, Galliano Septet, Au commencement Monteverdi en compagnie de Sonia Wieder-Atherton). Ses concerts l’ont amené aux Etats-Unis, en Allemagne, Italie, Scandinavie, Europe de l’Est, au Moyen-Orient, en Afrique…
Il a enregistré chez Maguelone, chez Triton, et vient de réaliser un disque Chostakovitch-Tcherepnine lors d’un concert Salle Cortot. Passionné de rencontres entre les arts il a créé plusieurs spectacles mêlant danse, théâtre et musique.
Depuis plus de 10 ans, Matthieu Lejeune tient particulièrement à équilibrer son activité entre interprétation et pédagogie. Titulaire du C.A, il vient d’être nommé professeur au C.N.R. de Saint-Maur-des-Fossés et enseigne également à l’E.N.M. de Yerres.. Il est régulièrement invité comme membre de jury en C.N.R. et E.N.M.

Béatrice Reibel
Béatrice Reibel rankes among the best of the french cello school. Former student of Philippe Müller, Frans Helmerson and Pierre- Laurent Aimard, she obtained for cello and chamber music two First Prizes awarded unanimously and the “Konzertexamen” at the Cologne “Hochschule für Musik”. She received the Second Prize (at the age of 18) in the Lutoslawski International Competition in Warsaw ( Poland), the Special Prize in the European Competition in Lanarka ( Cyprus), and the Second Prize in the Belgrade International Competition ( Serbia), and she is laureate of the Natexis Banque populaire fondation. She benefits from the advice of Anner Bylsma, Aldo Parisot and Janos Starker.
he has already performed in several festivals : Prades, “Rencontres musicales de Haute-Provence”, Mogador theater (Paris), Ravinia festival (USA), Boston, Festial of fine arts (Canada), Germany, Sardinia, Netherlands, Poland... She performed with Jean-Guihen Queyras and François Salques, conducted by Pierre Boulez ( Fontainebleau festival), as a solist with the Varsovia Camerata, Filharmonia Poznanska, Slaska Filharmonia... Interesting about the contemporary repertory, she created Batalion by Krystof Maratka (“Auditorium du Louvre”, Paris) and Roméo et Juliette by Karol Beffa (Arte). She’s going to record a CD about french cello pieces.
www.beatrice-reibel.com

Annie Zakine-Cochet
Annie Zakine-Cochet was born in Aix-les-Bains and graduated from the Chambery conservatory the same year she received her baccalaureat in philosophy. She pursued her musical education at the Boulogne-Billancourt Conservatory ( Paris) with Jean Brizard and later at the Ecole Normale de Musique de Paris. She also studied viola de gamba with Jordi Savall in Zurich. In addition to performing in various chamber music festivals in France and abroad, she was a member of the Colonne Orchestra. 
In 1992, Annie Zakine-Cochet became a faculty member at the Conservatoire National de Paris. A sought-after pedagogue, she regularly teaches in various seminars in Europe and many of her students have won prestigious orchestra auditions and competitions.